Home

London

Victoria and Albert Museum

The John Madejski Garden at the Victoria & Albert Museum in London, England.

K2 Telephone Kiosk outside the Victoria and Albert Museum. This is a photo of listed building number 1265488.

Samson Slaying a Philistine, about 1562, by Giambologna (1529-1608), is housed in the V&A Museum (no. A.7-1954). This work, carved in marble, originates from Florence, Italy, and stands at a height of 209 cm.

MultiPly installation by Waugh Thistleton Architects at the Victoria and Albert Museum during the 2018 London Design Festival.

Taylor Swift Songbook Trail, Prince Consort Gallery, Victoria and Albert Museum, London. The gown worn by Swift at The Eras Tour film premiere is a polyester gown designed by Oscar de la Renta in 2023.

Queen Elizabeth II's wedding gown replica, worn by actress Claire Foy for "The Crown," is on exhibition at the V&A Museum in June 2025.

Victoria & Albert Museum jewellery gallery staircase.

A finely decorated and fashionable suit of lightweight battle armor from Bavaria, dated 1570. This piece is an example of the decorative metalwork on display at the Victoria & Albert Museum, London.

Visible storage in the Ceramics department at the Victoria and Albert Museum, London.

Ceramics in the Victoria and Albert Museum

Details of the main entrance of the Victoria and Albert Museum.

Wine Cup, made in 1657, V&A Museum no. IS.12-1962. This unique wine cup of white nephrite jade was made for the Mughal emperor Shah Jahan (r. 1628-1658) and is inscribed with his title, Second Lord of the Conjunction, following the conventions of royal titulature in the Persian-speaking world, specifically alluding to Timur, the Central Asian ruler from whom the Mughals descended. It is also dated 1067 of the Islamic calendar and regnal year 31, which convert to 1657. The cup was originally in the collection of Colonel Charles Seton Guthrie, who had a renowned collection of Mughal hardstones and died in 1875, but it was acquired by the museum in 1962.

Tilework chimneypiece at the V&A Museum in London. From Turkey, probably Istanbul, dated 1731. The names around the hood are those of the seven sleepers. Persecuted under the Roman Emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The seven sleepers are mentioned in the Quran as an example of God's protection of the righteous, and their names were therefore used to invoke that protection. Made of fritware with under-glaze decoration. Collection ID: 703-1891.

Bomb damage outside the Victoria and Albert Museum, London. The inscription reads: The damage to these walls is the result of enemy bombing during the Blitz of the Second World War 1939-1945 and is left as a memorial to the enduring values of this great museum in a time of conflict.

Dorchester House chimneypiece now at the Victoria and Albert Museum.

A marble bust of Oliver Cromwell (1599-1658) by Joseph Wilton. The bust was probably based on the plaster cast of Cromwell's face, made from his funeral effigy.

Yes, it's these three charming ladies once more; a photo I seem to have omitted from my previous postings.

The Age of Bronze by Auguste Rodin at the Victoria and Albert Museum.

A fountain made in 1877 at the Victoria and Albert Museum, South Kensington, London, UK. This fountain was shown at the Paris International Exhibition in 1878.

Jacket and portrait of Margaret Laton, about 1610, V&A Museum no. T.228-1994. Techniques: Linen, embroidered with colored silks, silver, and silver-gilt thread. Place: England.

This Ming vase, dating to around 1550, is made of porcelain and is part of the Victoria and Albert Museum's 'touch' objects collection, allowing visitors to physically interact with it. It is designated with Museum number C.134-1928. The photo was contributed by VeronikaB as part of the Wikipedia Loves Art project in February 2009.

Beatie Wolfe standing in her album exhibition at the Victoria and Albert Museum.

The image captures a window frame and stained glass at the Victoria and Albert Museum. The window frame, dating from 1475-1500 in England, is made of oak and features intricate Gothic tracery. It was never intended to be glazed, as the weather was kept out using shutters. This frame indicates that rooms with ceilings at the time were very low, with the total height being less than 2.1 meters. The stained glass, originating from Winchester College Chapel around 1393, was crafted by Thomas the Glazier in Oxford. These panels, originally located in the side windows near the chapel's altar, depict figures such as the Apostles St. John the Evangelist, St. James the Less, and the Old Testament prophet Ezekiel. During restoration in the early 19th century, the glass was replaced with copies, but the original panels were acquired by the museum in 1855. The image was taken by David Jackson in February 2010 as part of the Britain Loves Wikipedia project.

Sculpture Cupid and Psyche, Terracotta, signed by Claude Michel (Clodion) (1738-1814), French, late 18th or early 19th century, Museum no. A.23-1958, at the Victoria and Albert Museum. This photo was contributed as part of the Wikipedia Loves Art project in February 2009. The original photograph on Flickr was taken by the wee pixie.

Natural horn, French, by Marcel-Auguste Raoux, Paris, about 1826, inscribed Raoux, brevet, seul Fournisseur du Roi, Rue Serpente Paris. Made of brass with silver mounts, the inside of the bell is painted in green and gilt lacquer. The instrument is fitted with a series of changeable medial crooks within the outer coil, allowing it to be played in a number of different keys. Photographed at the V&A museum, London, 02-Jan-06.

Tabernacle (circa 1180), Cologne, Lower Rhine (Germany). Made of gilded bronze and copper on a wooden core, with champlevé enamel and walrus ivory. Probably from the church of St Pantaleon, this tour de force of Romanesque goldsmiths' work and carving combines varied foliage patterns with classically inspired figures. Its function has been much debated, but the iconography, centered on Christ's redemption of mankind and fulfilling Old Testament prophecy, indicates that the tabernacle probably housed the consecrated bread for the Mass. Collection ID: 7650-1861. This photo was taken as part of Britain Loves Wikipedia in February 2010 by Adam Morgan.

The Burghley Nef, created in 1527-1528 in France, is part of the V&A Museum's collection (no. M.60-1959). It features a nautilus shell with parcel-gilt silver mounts that have been raised, chased, engraved, and cast, adorned with pearls. The piece measures 34.8 cm in height, 20.8 cm in width, and 12.2 cm in depth, with a weight of 0.78 kg.

The Sack-back gown (Robe à la française) and petticoat from 1775-1780 is a blend of old-fashioned and contemporary dress design. The very square hoops and sleeve ruffles at the elbow harken back to the 1750s, while the center front closure of the bodice reflects a feature of contemporary fashion. The gown and petticoat are adorned with badded bands of blue satin, chenille blonde lace, flowers of gathered ribbon, feathers, and raffia tassels. This rich mixture is characteristically French, with floral imagery and curvilinear arrangements that typify exuberant Rococo-style dress embellishment. However, the subtle colors of the gown and the delicacy of the design reflect the growing influence of the Neo-classical style in textile decoration. This piece is from France.

Exhibited in room 27 (Northern Renaissance 1500-1700, case EXP) at the Victoria and Albert Museum, London, England. It was originally in the cloisters of Steinfeld Abbey, near Cologne. German (Cologne), about 1540-1542.

Flower pyramid, c. 1695, Greek A factory, Delft; tin-glazed earthenware, painted; Height: 160 cm. Victoria and Albert Museum, London, museum no. C.19 to J-1982.

Qur'an, 1650-1700, Turkey, probably Istanbul. Ink, colors, and gold on paper; binding of leather over pasteboard, stamped, tooled, and gilded. Signed by Mustafa son of Mehmet. In Istanbul, interest in the scripts used for copying the Qur'an increased from the 1650s. Even the sons of Sultan Mehmet IV (reigned 1648-87) were taught to write them. This manuscript may be by the son who later reigned as Sultan Mustafa II from 1695 to 1703. The illumination of the opening pages is certainly of imperial quality. This photo was taken as part of Britain Loves Wikipedia in February 2010 by Adam Morgan.

Betel container, 19th century, V&A Museum no. IS.246&A-1964. The container features filigree work in gold on a gold ground, outlined with bands of rubies and imitation emeralds, with some embossing. One ruby eye is missing. Place of origin: Mandalay, Burma. Dimensions: Height 41.5 cm, Length 35.5 cm, Width 18 cm.

Jina Rishabhanatha, 800-900, Uttar Pradesh, India.

The Bodhisattva Maitreya, a benevolent savior of the Buddhist pantheon, is depicted in schist from the Gandhara region in Pakistan, dating back to the Kusana Dynasty, 2nd-4th century AD. He is dressed in the princely attire of the period, adorned with jewelry and other decorations, while also displaying signs of potential Buddhahood, such as the raised hair-knot and forehead mark.

English: The southern entrance of the Victoria and Albert Museum in London, England.

English: The John Madejski Garden at the Victoria & Albert Museum in London, England.

English: K2 Telephone Kiosk Outside The Victoria And Albert Museum .mw-parser-output .messagebox{margin:4px 0;width:auto;border-collapse:collapse;border:2px solid var(--border-color-progressive,#6485d1);background-color:var(--background-color-neutral-subtle,#fbfcff);color:var(--color-base,#202122);box-sizing:border-box;border-inline-start-width:8px}.mw-parser-output .messagebox.mbox-small{font-size:88%;line-height:1.25em}.mw-parser-output .mbox-warning,.mw-parser-output .mbox-speedy{border:2px solid var(--border-color-error,#b22222);background:var(--background-color-error-subtle,#ffdbdb);border-inline-start-width:8px}.mw-parser-output .mbox-serious,.mw-parser-output .mbox-delete,.mw-parser-output .mbox-stop{border:2px solid var(--border-color-error,#b22222);border-inline-start-width:8px}.mw-parser-output .mbox-issue,.mw-parser-output .mbox-content{border:2px solid #f28500;background:var(--background-color-warning-subtle,#ffe);border-inline-start-width:8px}.mw-parser-output .mbox-query,.mw-parser-output .mbox-style{border:2px solid #f4c430;background:var(--background-color-warning-subtle,#ffe);border-inline-start-width:8px}.mw-parser-output .mbox-shit{border:2px solid #960;border-inline-start-width:8px}.mw-parser-output .mbox-license{border:2px solid #88a;border-inline-start-width:initial}.mw-parser-output .mbox-legal{border:2px solid var(--border-color-notice,#666);background:var(--background-color-base,#fff);border-inline-start-width:8px}.mw-parser-output .mbox-honor{border:2px solid #ca3;background:var(--background-color-warning-subtle,#fcf4db);border-inline-start-width:8px}.mw-parser-output .mbox-growth{border:2px solid #8d4;background:var(--background-color-success-subtle,#d5fdf4);border-inline-start-width:8px}.mw-parser-output .mbox-move{border:2px solid #93c;border-inline-start-width:8px}.mw-parser-output .mbox-protection,.mw-parser-output .mbox-message{border:2px solid var(--border-color-base,#aaa);border-inline-start-width:8px}.mw-parser-output .messagebox .mbox-text{border:none;padding:0.25em 0.9em;width:100%}.mw-parser-output .messagebox .mbox-image{border:none;padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .messagebox .mbox-imageright{border:none;padding:2px 0.9em 2px 0;text-align:center}.mw-parser-output .messagebox .mbox-empty-cell{border:none;padding:0;width:1px}.mw-parser-output .messagebox .mbox-invalid-type{text-align:center}@media(min-width:720px){.mw-parser-output .messagebox{margin:4px 10%}.mw-parser-output .messagebox.mbox-small{clear:right;float:right;margin:4px 0 4px 1em;width:238px}}body.skin--responsive .mw-parser-output table.messagebox img{max-width:none!important}Wikidata has entry K2 Telephone Kiosk Outside The Victoria And Albert Museum (Q27083160) with data related to this item.This is a photo of listed building number 1265488.

English: Samson Slaying a Philistine, about 1562, Giambologna (1529-1608) V&A Museum no. A.7- 1954 Techniques - carved marble Place - Florence, Italy Dimensions - Height 209 cm

English: MultiPly installation by Waugh Thistleton Architects at the Victoria and Albert museum during the 2018 London Design Festival.

English: Taylor Swift Songbook Trail, Prince Consort Gallery, Victoria and Albert Museum, London. Gown worn by Swift at The Eras Tour film premiere; polyester gown designed by Oscar de la Renta, 2023

English: Queen Elizabeth II wedding gown replica, worn by actress Claire Foy, for The Crown, in exhibition at the V&A museum (June 2025).

British English: Victoria & Albert Museum jewellery gallery staircase

English: A finely decorated and fashionable suit of lightweight battle armor. Bavaria, 1570. An example of the decorative metalwork on display at the Victoria & Albert Museum, London.

Visible storage, Ceramics department, Victoria and Albert Museum, London

English: Ceramics in the Victoria and Albert Museum

English: Details of the main entrance of Victoria and Albert Museum

English: Wine Cup, made 1657, V&A Museum no. IS.12-1962 This unique wine cup of white nephrite jade was made for the Mughal emperor Shah Jahan (r. 1628-1658) and is inscribed with his title, Second Lord of the Conjunction, following the conventions of royal titulature in the Persian-speaking world, and specifically alluding to Timur, the Central Asian ruler from whom the Mughals were descended. It is also dated 1067 of the Islamic calendar, and regnal year 31, which convert to 1657. The cup was originally in the collection of Colonel Charles Seton Guthrie, who had a renowned collection of Mughal hardstones and died in 1875, but was acquired by the museum in 1962.

English: Tilework Chimneypiece at the V&A Museum in London. From Turkey, probably Istanbul Dated 1731 The names around the hood are those of the seven sleepers. Persecuted under the Roman Emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The seven sleepers are mentioned in the Quran as an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decoration. Collection ID: [none 703-1891]

English: Bomb damage outside the Victoria and Albert Museum, London. Inscription reads: The damage to these walls is result of enemy bombing during the blitz of the second world war 1939-1945 and is left as a memorial to the enduring values of this great museum in a time of conflict.

English: Dorchester House Chimneypiece now at the Victoria and Albert Museum

English: A marble bust of Oliver Cromwell (1599-1658) by Joseph Wilton. The bust was probably based on the plaster cast of Cromwell's face, made from his funeral effigy.

English: Yes, it's these three charming ladies once more; a photo I seem to have omitted from my previous postings.

English: The Age of Bronze by Auguste Rodin at Victoria and Albert Museum.

English: A Fountain made in 1877 at the Victoria and Albert Museum, South Kensington, London, UK. This fountain was shown at the Paris International Exhibition 1878

English: Jacket and portrait of Margaret Laton, about 1610 V&A Museum no. T.228-1994 Techniques - Linen, embroidered with coloured silks, silver and silver-gilt thread Place - England Source: http://images.vam.ac.uk/indexplus/page/Home.html

Vase Ming Dynasty c.1550 Porcelain This Ming vase is one of the V&A's 'touch' objects and visitors are invited to touch it. Museum no. C.134-1928 Wikipedia Loves Art at the Victoria and Albert Museum This photo of item # [1] at the Victoria and Albert Museum was contributed under the team name "VeronikaB" as part of the Wikipedia Loves Art project in February 2009. Victoria and Albert Museum The original photograph on Flickr was taken by VeronikaB—please add a comment to the original Flickr page whenever a use has been made on Wikipedia or another project. Project galleries on Flickr: this institution, this team

English: Beatie Wolfe standing in her album exhibition at the Victoria and Albert Museum

$Britain Loves Wikipedia at the Victoria and Albert Museum Window frame and stained glass English: Window Frame (foreground) 1475-1500 England Oak This window frame is carved with fashionable Gothic tracery. It is very elaborate, but there was never any intention to glaze it. The weather was kept out simply by shutters, possibly both inside and out. This window frame shows that ceilinged rooms at the time must have been very low, even in timber houses of the more elaborate kind. The total height of the room from which this window came must have been less than 2.1 metres. Given by Mr A.H. Fass W.59-1913 https://collections.vam.ac.uk/item/O84682/window-frame-window-framework/ Stained Glass from Winchester College Chapel (background) About 1393 England, Oxford Thomas the Glazier (active in the 1390\'s) Clear, coloured and flashed glass with painted details and silver staining These stained glass panels were made in the workshop of Thomas of Oxford who was commissioned by William of Wykeham, Bishop of Winchester (1366-1404), to make decorated windows for his educational establishments of Winchester College, Winchester, and New College, Oxford. Thomas of Oxford was an important glazier at the end of the 14th century and on into the early years of the 15th century. He headed a stained glass workshop which was probably located in Oxford or just outside the city. A document dated 1393 discusses the contract for the Winchester windows and these panels date from that time. These three panels were originally located in the side windows closest to the altar in the Chapel of Winchester College. The east window of this Chapel was filled with glass depicting the genealogy of Jesus Christ in the form of a 'Tree of Jesse'. The side windows contained images of saints, the twelve Apostles and Old Testament prophets. The figures here represent the Apostles St John the Evangelist and St James the Less and the Old Testament prophet Ezekiel. Between 1821 and 1828, the Chapel windows were taken down to be restored by the firm of Betton and Evans of Shrewsbury. However, the firm decided to replace the originals with copies. The V&A�s panels are original and were purchased from the studio by the Rev. W.G. Rowland who intended to install them in St. Mary�s Shrewbury but instead sold them. In 1855, the museum bought them from the current owner. This figure of the prophet Ezekiel stands on a pedestal base which bears the name of Sophonias. It is believed that during the restoration in the early 19th century, the section of glass bearing the name �Sophonias� was mistakenly inserted into the base of the panel with the figure of Ezekiel. 4237.1 to 9-1855 https://collections.vam.ac.uk/item/O7554/window-prophet-ezekiel-flanked-by-saints/ Collection ID: W.59-1913 and 4237.1 to 9-1855 This photo was taken as part of Britain Loves Wikipedia in February 2010 by David Jackson.$

Maravillosa obra de arte. Sculpture Cupid and Psyche Terracotta Signed by Claude Michel (Clodion) (1738-1814) French Late 18th or early 19th century Museum no. A.23-1958 Wikipedia Loves Art at the Victoria and Albert Museum This photo of item # A.23-1958 at the Victoria and Albert Museum was contributed under the team name "UK_FGR" as part of the Wikipedia Loves Art project in February 2009. Victoria and Albert Museum The original photograph on Flickr was taken by the wee pixie—please add a comment to the original Flickr page whenever a use has been made on Wikipedia or another project. Project galleries on Flickr: this institution, this team

English: Natural horn, French, by Marcel-Auguste Raoux, Paris, about 1826, inscribed Raoux, brevet, seul Fournisseur du Roi, Rue Serpente Paris. Brass and silver mounts, inside of the bell painted in green and gilt lacquer. The instrument is fitted with a series of changeable medial crooks within the outer coil, so that it could be played in a number of different keys. Photographed at the V&A museum, London, 02-Jan-06.

Britain Loves Wikipedia at the Victoria and Albert Museum Romanesque Tabernacle English: Tabernacle (circa 1180). Cologne, Lower Rhine (Germany). Gilded bronze and copper on a wooden core, with champlev� enamel and walrus ivory. Probably from the church of St Pantaleon. This tour de force of Romanesque goldsmiths' work and carving combined widely varied foliage patterns with figures that are classically inspired. Its function has been much debated. The iconography, or subject matter, centres on Christ's redemption of mankind, fulfilling Old Testament prophecy. This indicates that the tabernacle probably housed the consecrated bread for the Mass. Collection ID: 7650-1861 This photo was taken as part of Britain Loves Wikipedia in February 2010 by Adam Morgan.

English: The Burghley Nef, 1527-1528, France, V&A Museum no. M.60-1959 Techniques - Nautilus shell with parcel-gilt silver mounts, raised, chased, engraved and cast, and pearls. Dimensions - Height 34.8 cm, Width 20.8 cm, Depth 12.2 cm, Weight 0.78 kg Source: http://images.vam.ac.uk/indexplus/page/Home.html

English: Sack-back gown (Robe à la française) and petticoat, 1775-1780 Description This garment is a combination of old-fashioned and up-to-date dress design. The very square hoops and sleeve ruffles at the elbow look back to the 1750s, while the centre front closure of the bodice is a feature of contemporary fashion. The gown and petticoat are trimmed with badded bands of blue satin, chenille blonde lace, flowers of gathered ribbon, feathers and raffia tassels. This rich mélange is typically French. the floral imagery and curvilinear arrangement characterize exuberant Rococo-style dress embellishment. However, the subtle colours of the gown and the delicacy of design reflect the growing influence of the Neo-classical style in textile decoration. Place - France

English: Exhibited at the room 27 (Northern Renaissance 1500-1700, case EXP), Victoria and Albert Museum, London, England. It was originally in the cloisters of Steinfeld Abbey, near Cologne. German (Cologne), about 1540-1542 한국어: 영국 잉글랜드 런던 앨버트 앤 빅토리아 박물관 Resurrection, info at VAM

$Britain Loves Wikipedia at the Victoria and Albert Museum Qur'an English: Qur\\\'an 1650-1700 Turkey, probably Istanbul. Ink, colours and gold on paper; binding of leather over pasteboard, stamped, tooled and gilded. Signed by Mustafa son of Mehmet. In Istanbul interest in the scripts used for copying the Qur\\\'an increased from the 1650s. Even the sons of Sultan Mehmet IV (reigned 1648-87) were taught to write them. This manuscript may be by the son who later reigned as Sultan Mustafa II from 1695 to 1703. The illumination of the opening pages is certainly of imperial quality. Collection ID: [none 23.IX.1890] This photo was taken as part of Britain Loves Wikipedia in February 2010 by Adam Morgan.$

English: Betel container, 19th century V&A Museum no. IS.246&A-1964 Techniques - Filigree work in gold on a gold ground, outlined with bands of rubies and imitation emeralds, with some embossing; eyes of rubies (one now missing) Place - Mandalay, Burma Dimensions - Height 41.5 cm, Length 35.5 cm, Width 18 cm Source: http://images.vam.ac.uk/indexplus/page/Home.html

India, uttar pradesh, jina rishabhanatha, 800-900

Bodhisattva Maitreya Schist Gandhara, Pakistan Kusana Dynasty, 2nd-4th century AD The Bodhisattva Maitreya, the benevolent saviour of the Buddhist pantheon. He is attired in the princely dress of the day, with jewellery and other adornments. However, he also displays the signs of potential Buddhahood, including the raised hair-knot and forehead mark. Museum no. IS.100-1972 Wikipedia Loves Art at the Victoria and Albert Museum This photo of item # [1] at the Victoria and Albert Museum was contributed under the team name "va_va_val" as part of the Wikipedia Loves Art project in February 2009. Victoria and Albert Museum The original photograph on Flickr was taken by Val_McG—please add a comment to the original Flickr page whenever a use has been made on Wikipedia or another project. Project galleries on Flickr: this institution, this team

Victoria and Albert Museum

London, Great Britain

The Victoria and Albert Museum, named in honor of Queen Victoria and her consort Prince Albert, has been a cornerstone of art and design for over 150 years. This museum offers a vast collection of decorative arts from various cultures and historical periods, making it a treasure trove for art enthusiasts.

Exploring the Collection

With such an extensive array of exhibits, attempting to see everything in one day might be overwhelming. Fortunately, the museum provides detailed maps to help visitors plan their journey through the galleries. Whether you're interested in ancient artifacts or contemporary pieces, there is something for everyone to explore and appreciate.

Special Exhibitions and Events

The museum regularly hosts exhibitions focused on specific themes, ranging from Chinese art to renowned fashion designers. These special exhibitions provide deeper insights into particular subjects and often showcase rare and unique items.

Activities for All Ages

The Victoria and Albert Museum is not just a place for adults; it frequently offers engaging activities for children, ensuring that visitors of all ages can enjoy their time at the museum. Additionally, the museum organizes late-night events with DJ performances, providing a vibrant atmosphere for those looking to experience the museum in a different light.

Source - https://en.wikipedia.org/wiki/Victoria_and_Albert_Museum

Developed by Reflex.com.ua

Cities

Contacts

info@reflex.com.ua

Social media